Friday, January 5, 2018

The Drunk Projectionist, Episode 6

Death comes to us all. Even kings. After a hunting trip in August 1715, Louis XIV — the longest serving monarch in French history — complains about a pain in his left leg. A doctor recommends "camphoric spirit dressings and donkey milk baths."

Bad advice.

Soon, gangrene develops and yet, the doctors do nothing. Day by day, death crawls up his leg and the king moans in pain. In The Death of Louis XIV, Albert Serra recreates these final days. As birds chirp in the distance, we watch the king, played by the legendary Jean-Pierre Leaud (The 400 Blows, Antoine and Colette, Irma Vep) suffer. The final portrays lonely, agonizingly painful moments full of bad medical advice, hucksters begging for money court hangers-on demanding attention and Louis XIV's demise.

The Death of Louis XIV, an Official Selection of the 2016 Cannes Film Festival, represents Serra's third appearance at the prestigious festival. Two of his earlier works — Honor of the Knights and Birdsong — were featured at Cannes' Directors' Fortnight.

In this episode, we hear the opinionated and entertaining director discuss the The Death of Louis XIV's origin as an art installation at the Centre Pompidou in Paris (1:58), on Louis XIV's agony (2:58), on pre-filmmaking discussions with collaborators (4:00), on going against the cliche (8:40), on how to get five "magical" minutes every day when shooting (12:12), on working with Jean-Pierre Leaud (13:10), on the intelligence of actors (17:15), on silent film star Harry Langdon (19:25), on working with non-professional actors (20:50), on the roughness of Andy Warhol's films (22:30), on why he doesn't look at shots from inside the camera (26:00), on capturing "magic" when shooting (29:15), on the most important scene in The Death of Louis XIV (33:33), on expressing silence in a film with subtle sounds (36:44), on the king realizing his death is imminent (40:10), on the relationship between truth and beauty (42:50).